25,075 Royalty-Free Audio Tracks for "Midi Files Of Music By Johann Sebastian Bach"

Johannes Brahms: Guten Abend, gut Nacht

Georg Friedrich Händel: Lascia ch’io pianga

Four hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Carl Czerny. KV 626

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Cadenza from Beethoven's Concerto in C minor, piano part.

Example of the submediant ("triad on VI") used as a dominant preparation.

Anfang des zweiten Satzes aus Beethovens Opus 109

An Artist's Life waltz by Strauss

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

Adagio aus Carl Phillip Emanuel Bachs Klaviersonate in F-Dur

Ihr mögt den Rhein, den stolzen, preisen (Westfalenlied)

Wiener Blut, a waltz by Johann Strauss II

Tritsch-Tratsch-Polka: Transkription für Klavier Italiano: Johann Strauss Jr: «Tritsch-Tratsch-Polka». Trascrizione per pianoforte dell'utente Pracchia-78. Eseguito al sintetizzatore con un banco audio piano Steinway (28,4 MB), articolazione: Steinway Grand.

Straus Waltz Medley performed by The US Air Force Strings

Komm, lieber Mai, und mache (KV 596)

Du holde Kunst

Period (two phrases) in Haydn's Feldpartita.

Robert Schumann: Kreisleriana, Op. 16.

Motivic repetition in Beethoven's (1770–1827) Sonata in F major, op. 10, no. 2.

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Aus dem ersten Satz von Joseph Haydn Klaviersonate Hob. XVI/8

Das Akkordeonorchester Hof spielt die Tritsch-Tratsch Polka von Johann Strauss (Sohn) auf dem Jahreskonzert des Akkordeonorchesters Hof am 08.05.2010 in der Göstrahalle Köditz unter der Leitung von Torsten Petzold. Weitere Informationen: http://www.akkordeonorchester-hof.org

Das Akkordeonorchester Hof spielt die Tritsch-Tratsch Polka von Johann Strauss (Sohn) auf dem Jahreskonzert des Akkordeonorchesters Hof am 08.05.2010 in der Göstrahalle Köditz unter der Leitung von Torsten Petzold. Weitere Informationen: http://www.akkordeonorchester-hof.org

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

Ave Maria (Bach/Gounod)

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

MIDI rendition of Wolfgang Amadeus Mozart's 1787 song "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte", K. 520

Op. 109, bars 1-4.

Fifth Symphony, opening, known as the "fate" motif.

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Ludwig van Beethoven: Bagatelle in A minor ("Für Elise"), WoO 59

Op. 109, bars 1-4.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

Triadic planing from Le Tombeau de Couperin by Maurice Ravel.

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

R. Wagner's Tristan Opening. 7-limit 53EDO Approximation.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.